Understanding Exposure for Film or Digital Capture
Nov22

Understanding Exposure for Film or Digital Capture

Exposure latitude is the extent to which film (or an imaging chip, for that matter) can be overexposed or underexposed and still produce an acceptable result. Not everybody these days starting shooting photographs with film cameras. Understanding exposure for film and digital photography is helped with just a little bit of information about how filmed worked (and still works today.) Slide film has the least amount of latitude,...

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What I Still Love about Shooting Film
May13

What I Still Love about Shooting Film

These days I don’t shoot as much film and still have a few film cameras, such as the beautifully crafted (and no longer manufactured) Zeiss Ikon SW pictured below, that I don’t plan on getting rid of any time soon. I still enjoy shooting with Holga cameras too. It’s not a Leica but these days film seems to be more about having fun. And that’s why we all got into photography in the first place—isn’t it? As I sometimes tell my...

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What I Miss About Shooting Film
Feb15

What I Miss About Shooting Film

These days I don’t shoot much film and have a few film cameras that I don’t plan on getting rid of any time soon. I still enjoy shooting with my Hasselblad XPan and Leica M6 TTL and even my gold-trimmed Seagull TLR because these days film seems to be more about having fun. (Read what I have to say about shooting film in my Shutterbug article “7 Trends That Will Change Photography Next Year.”) And f6un is why we all got...

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Film Friday: New Monochrome Instant Film
Oct24

Film Friday: New Monochrome Instant Film

Earlier this year, The Impossible Group released test instant films for 600 and SX-70 cameras that featured monochromatic emulsions in cyan and magenta called Cyanograph and Magentatype films. Impossible has decided to develop these films as part of its standard range of products called Cyan and Magenta 600 Monochrome for Polaroid 600 cameras and the Instant Lab. These are the first in a new series of Impossible monochrome and...

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Film Friday: Saving Ferrania
Oct10

Film Friday: Saving Ferrania

I’ll admit that I’m not a big fan of Kickstarter campaigns that are created by companies, as compared to those produced by individuals, some of whom I’ve gladly supported. But sometimes you have to break your own rules especially when we have an opportunity to save not just a bit of history but something tangible—film itself. Ferrania has set up  new operations in the former Ferrania Research & Development...

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Wordy Wednesday #111 “ Planned Obsolescence”
May28

Wordy Wednesday #111 “ Planned Obsolescence”

I’ve always been fascinated with wide-screen images and own Jeff Bridges’ book of panoramic images that he made using a Widelux camera on the sets of some of the movies he’s appeared in. It inspired me to shoot film with a Russian-made Horizon 202 taking exposure readings using a Gossen hand-held meter. The Horizon, you see, is an all-mechanical camera, no batteries included, no batteries needed. Having a camera with a 120-degree view...

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Exploring & Capturing Panoramas
Feb23

Exploring & Capturing Panoramas

It wasn’t really a Christmas present, at least I don’t think it was, but my old pal Jason gave me a Russian-made Horizon 202 rotating lens panoramic camera as a gift. I’ve always been fascinated with wide-screen images and had been reading Jeff Bridges’ book of panoramic images that he made using a Widelux camera on the sets of some of the movies he’s appeared in. I hadn’t shot very much film during 2010 and just a few rolls more than...

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